34.2 Summer/Fall 2022

2021 Barthelme Prize

2021 Translation Prize in Fiction

2021 Beauchamp Prize in Critical Art Writing

Special Feature: A Place, Here, Curated Madhu H. Kaza

  • "An Introduction" by Madhu H. Kaza
  • "A Rite of Relief", "Ache", "Snail" by Birhan Keskin, Translated from the Turkish by Öykü Tekten
  • "Why Don’t They Believe?" by Xo?man Qado, Translated from the Kurmanji by Shook and Zêdan Xelef 
  • "The Black Colt"  by Baqytgul Sarmekova, Translated from the Kazakh by Mirgul Kali
  • "Birth", "Property", "Sleep (1)", "Kingdom of Dogs" by Sulochana, Translated from the Nepali by Muna Gurung
  • "flapping from where the wings" by Nhã Thuyên, Translated from the Vietnamese by Kaitlin Rees
  • "Kantan Chamorrita 1-5" Chamorro Folk Songs, Translated from the Chamorro by Danielle P. Williams
  • "The Saz Player", "Wind", "Smoke" by Sinan Antoon, Translated from the Arabic by the author
  • "Prologue to Collapsed Star", "Longings" by Annasoltan Kekilov, Translated from the Turkmen  by Orhan Elmaz and Zohra Saed
  • "Sing Sister Sing" by Joopaka Subhadra, Translated from the Telugu by Nitya Rayapati 
 

Fiction

  • "The Participants" by Becky Hagenston
  • "The Covenant of the Mardues" by Ren Arcamone 
  • "The Prayer of Fugitives" by Bobuq Sayed 
  • "Mirror for Princes (a perfume ad)" by Seth Wang 
  • "Kicking Over Tombstones" by Bonnie Jo Campbell

Nonfiction

  • "A Private Engagement" by Cat Wei
  • "Clocked" by Clarence Harlan Orsi
  • "Our Love Language Was Hair" by Blessing J. Christopher
  • "Blood Harmony" by Sarah Curtis 

Poetry

  • "Aubade or Nocturne" by Cass Garison 
  • "Emily", "Jeremiah" by Alisha Dietzman 
  • "The High Life" by Eric Kocher
  • "The Breakup" by Mag Gabbert 
  • "swamp men" by Huan He 
  • "Reflection on My Frustration with Living in the Present" by Moriah Cohen 
  • "Superovulation" by Elizabeth Lindsey Rogers 
  • "Motherland, Formless & Void" by Jordan Nakamura 
  • "A Painting I Can’t Remember 5" by Carmen Giménez 
  • "SOS" by Angelo Nikolopoulos 
  • "Restoration" by C. E. Janecek 
  • "Self-Elegy" by Georgina Marie
  • "Each Crack in My Voice Is Static from Another World" by Malachi Black 
  • "Nothing was a lie" by Ralph Angel 
  • "Illuminated Edges" by Adam Day 
  • "Robert Johnson Tunes His Guitar at the Crossroads" by Wes Matthews 
  • "Huisache", "Curanderismo" by Matthew Flores 
  • "Self-Portrait as Hybrid" by Brett Shaw
  • "The Last Poem I Write" by Issam Zineh
  • "Like any odd god among the thousands" by Scott Chalupa
  • "Ode to Plácido Domingo on Jeopardy!" by Olivia M. Sokolowski
  • "[king hunt 1.2]" by Natalie Louise Tombasco
  • "Busted Sonnet" by Beverly Burch
  • "Elegy for My Older Brother Who Taught Me How to Contact the Dead" by Shannon Elizabeth Hardwick 
  • "Chapala in Early August" by Ramón García
  • "Meret Oppenheim—Object (1936)" by Rochelle Hurt

Creative and Critical Art Writing

  • "Sensing Vastness: The De Luxe Show Then and Now" by Amber Jamilla Musser 
  • "Power Play: Trace, Index, and Grid in Rick Lowe’s Paintings" by Allison Glenn 

Featured Art

  • "Selections from The De Luxe Show" by Various Artists
  • Featured Works by Rick Lowe 

Reviews and Interviews

  • "Una Conversación: Adriana Corral y Celia Álvarez Muñoz" by Luisa Fernanda Pérez 
  • "Earning Pleasure, Feminine Momentum: Sandra Lim’s The Curious Thing" by Paige Quiñones 
  • "Spiral Motion: Janika Oza Interviews Shruti Swamy" by Janika Oza
  • "Born Lonely: A Review of Emily Kendal Frey’s Lovability by Adele Elise Williams

In this issue

  • Ode to Placido Domingo on Jeopardy!

    a better poet / could get that one down, don’t you think, Placido? Could you / sing it for me, omitting the bit on “stillness”? Yes, I want // to vanish only under the weight of silly things.

  • Huisache

    along the fields of cotton / your sense of ghost is in the mesquite, live / oak, and huisache. your entrance to all this / is membrane to every person that’s purpose is // now horizon.

  • Each Crack in My Voice Is Static from Another World

    it’s midnight: / I can see it in the living // room: it’s clear, I’m standing in / the image, distant: here // I hear, so let’s begin: //

  • Motherland, Formless & Void

    You send the breath through the valves / over obscured waters, toward / the north of a second sight.

  • Ache

    since that day, i’ve never had a beautiful sentence to construct / for the world. my dreams, since the tulle and the guns, have been misty.

  • An Introduction

    Many kinds of silence attend these works, including the active repression of a writer’s voice in Kekilov’s case, and in the more pervasive, invisible silencing of non-European writing in …

  • Once Again I Fall Into My Family Grave:
    Winner of the 2021 Barthelme Prize

    In my blood, a continent. All the warring countries—almost reconciled. They breathe together as they weave through the marbleized muscle of my heart, taking their communion of oxygen, amen.

  • Clocked

    In January of 2020, two months before a gathering of this kind would become unthinkable, I treated myself to a $30 cardio dance class at Banana Skirt Productions in midtown Manhattan. We’d been …

  • Mirror for Princes (a perfume ad)

    Although both my parents do absolutely vicious impressions of people, Papà is the hotel-caged method diva, momentarily inhabiting your emotional truth to play whatever stupid thing you just said …

  • To Allow for Tenderness:
    Winner of the 2021 Toni Beauchamp Prize in Critical Art Writing

    Miatta Kawinzi’s artistry is attuned to the pulse of their inner life, and often holds diverse states of being together with precision, through a complex and wide-ranging poetics. In the …

  • Translation of Najat Abed Alsamad:

    As she dreams, she knits birds onto blankets, sheltering them from the misery of the outside world in the new homes she fashions from her palms. Other times, she knits cushion covers, continuing till …