31.1 Winter/Spring 2019

2018 Gulf Coast Prize

Fiction

Poetry

  • Waste Recovery by Emily Van Kley
  • Limited Use by Heather Christle
  • Drag by Sophia Holtz
  • Good Husband by Rachel Eliza Griffiths
  • Dad Jokes by Amorak Huey
  • How Can Black People Write About Flowers at a Time Like This by Hanif Abdurraqib
  • Poet Wrestling with Anything She’d Do for Love by Rosebud Ben-Oni
  • Fog by Corinna McClanahan Schroeder
  • Letter in the Time of Junkmail by Erika Meitner
  • Notorious Rain by Kenji C. Liu
  • The Ten-Year Plan by Nick Greer
  • The Hardest Part of the Human Body by Tiana Clark
  • How Judas Died by Gabrielle Bates
  • Memory Loss by Mira Rosenthal
  • In the Bones by Ryler Dustin
  • Marshmallow by Saddiq Dzukogi
  • General Memorial Hospital and Clinic – FAQs by Derek Robbins

Nonfiction

  • An Excerpt from Dead Girls by Selva Almada transl. by Samuel Rutter
  • Momma’s Boy by Victor Yang
  • House of Spies by Katherine Evans
  • At the Shiva by Helen Betya Rubinstein

Art

  • Fibrous, Faceless Figures: Symbology of Hair in the Work of Julie Curtiss by Patricia Restrepo
  • Glorious Site of Tremendous Importance by Josh Pazda
  • What is a Screen, What Does It Do? by Alan Ruiz
  • Notes on Camp: An Interview with Cary Leibowitz by Katharine Bowdoin Barthelme

In this issue

  • Blueberry Ballad

    In what may have been our last week, we went down to the late afternoon meadow, and stood at the high blueberry bushes,

  • Glorious Site of Tremendous Importance

    An account of Tony Feher’s proposal for a horticultural sculpture at the University of Houston.

  • 2018 Gulf Coast Prize in Fiction: Rules of Engagement

    But a job was a job, I reminded myself. Fulfill your duty. Prove your utility.

  • Five Poets and a Particle Physicist: Discussing Poetics as a Mode of Inquiry

    This roundtable, between a group of extraordinary poets who all engage deeply with science in their work, and a single particle physicist, took place over the course of about a month in the summer of …

  • General Memorial Hospital and Clinic – FAQs

    There are places and then there are states of mind. We recommend the latter. In the proper state of mind, borders are soft as cotton candy—you can lick your way right through them.

  • Marshmallow

    Today Baha is not dead; she is six-years-old, / forcing marshmallows into my mouth.

  • Watch Out, the World’s Behind You

    And maybe if you had tried to find your kindest self—the one deep within you that all our friends told us probably wouldn’t reemerge until you were twenty-four—and said, yeah, you’re right, …

  • At the Shiva

    My first non-Jewish boyfriend is my boyfriend in 2006, the year that my grandfather dies. Like me, he has only ever known one of his grandparents. Her name is Mary, and that’s what everyone in his …

  • In the Bones

    The finback had beached a long time ago— / storm-scattered ribs, / vertebra polished by sand, / knucklebones caged in black grass.

  • Notes on Camp: An Interview with Cary Leibowitz

    "Of course, my mindset changes, sometimes not as much as I want it to, but I’m usually not sarcastic about things. Even if it comes across a little sarcastic, there is some sort of seed that I am …

  • Carraízo

    Years later, Toya would remember the boy’s birth among the coca plants, how he’d arrived in silence, like some sort of harbinger announcing the end of the world.

  • House of Spies

    Your parents work for the Central Intelligence Agency. You find this out in the fourth grade while conducting an interview assignment for your English teacher, Mr. Taylor. Before, your parents told …

  • Memory Loss

    She tries for us to transfer / the gist of what remains inside the stock- / pile of parts in a basement she never enters

  • How Judas Died

    There’s a bird believed to suck the teats of goats at night. / Flocks alight swollen on the slash pines while we sleep. / Here, in this dark field, among what’s been cast out / from the body of …

  • What is a Screen, What Does It Do?

    Certainly today we are inundated with screens that have become smart, offering a digital panoply of information responsive to human touch, rub, and swipe. This would suggest a departure from the …

  • Momma’s Boy

    “They’re here!” My mother’s voice would bellow through the house on Sundays. Everything about her was loud and unapologetic, her slippers slapping the carpet as her long legs raced toward the …

  • The Hardest Part of the Human Body

    I want to love my teeth— / their crooked city skyline / and lemon-stained swagger.

  • The Ten-Year Plan

    The birds sing in a major key. Our leaders are draped in paper. / Their teeth glisten carelessly. I am full of something that makes / me weightless. We all are.

  • Notorious Rain

    Why weren’t we told the rain / would trample our darkening fields? / To the disaster, there’s only / wind to testify.

  • Clambering Over Such Rocks

    Perhaps we three shall only ever have in common the murder of Adler. And white garments, shoes, stockings, sleeves—even the body of the Pemaquid Point Lighthouse is shell-colored, if you ignore her …

  • Translations, from the Japanese

    According to a 2013 census, Japan has a population of 127.3 million people. Approximately 1.9 million of those residents are foreigners. I, a white American, have been inconsistently part of …

  • Letter in the Time of Junkmail

    I’ve got the sky in my mouth so when I open it to speak / nothing leaks out except contrails. I order my coffee / & it comes to me in a robin’s egg blue cup with my name / scrawled on it in black …

  • An Excerpt from Dead Girls

    In the bed across from me, my sister was sleeping. The blue bolts of lightning illuminated her face, her eyes half-open, the way she always slept, like a rabbit, her chest rising and falling, …

  • Fibrous, Faceless Figures: Symbology of Hair in the Work of Julie Curtiss

    Curtiss’ focus on the female form, inaccessible and distorted by locks of hair, produces a distinctive reflection on feminism and reconsideration of hair’s cultural symbology.

  • Fog

    I am yellow fingers swabbing / your face at dawn and a ghost / breath blown on your wife’s neck

  • Poet Wrestling with Anything She’d Do for Love

    All I want is something incredible & ridiculous / like dinosaur sex, / which must’ve taken no prisoners & no amount of sunset / sweet talk.

  • How Can Black People Write About Flowers at a Time Like This

    Forgive me, for I have been nurturing my well-worn / grudges against beauty. I am hoping my neighbors / will show some mercy on me for backing my car into / the garden & crushing what I will say were …

  • Mick's Street

    I throw the keys at the mirror and they crash, a pitcher of water shattering during a high note. Applause-worthy. Mickey says I fight ghetto and I always say that’s right like I’m proud of who I …

  • Dad Jokes

    If you’re American in the living room / & European in the bathroom / what are you in the airport holding cell?

  • Good Husband

    Forgive the hours you waited in paradise alone. / We always knew I was wild, wrecked / with wonder I could not bring into our house / without printing the floor with blood.

  • Drag

    there’s a certain kind of swagger I can’t pull off in a dress. / people like to make me into a feather— / drop me off the table & I float down. I’m sick of grace. / I’d like to wear …

  • All at Sea

    Lie and say you have to pee. In his bathroom, check your purse for the condoms and then list, in alphabetical order, every kind of lie you can think of: barefaced lie, big lie, bullshit, fabrication, …

  • Limited Use

    I want to record / the burning out / of the light bulb / that soon they won’t sell.

  • Waste Recovery

    She drives 2 hours to visit and can’t stop yawning / while I've walked a mile in the rain’s velveteen, / my dress adherent, boots deepening their brown— / working on my portfolio for being …

  • 2018 Gulf Coast Prize in Nonfiction: Blessed Be the Longing that Brought You Here

    The most private thing he’s willing to admit is that he once took the Love Languages test, though he is not willing to divulge the language he speaks.

  • 2018 Gulf Coast Prize in Poetry: Church Board Interrogations

    He threatened to wrap me in Christmas / tinsel and send me off to Grandma.