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Events
22.1 - Winter/Spring 2010
2013 Barthelme Prize
Bats
by Lawrence Coates (WInner)
At the Edge of the Kitchen's Light
by Ana Reyes (Honorable Mention)
Cement Man
by Colin Winnette (Honorable Mention)
Fiction
The Sunbathers
by Halimah Marcus
Buffalo Cactus
by Sierra Bellows
Pritch
by Alan Stewart Carl
There's Nothing Here You'd Want
by Pamela Ryder
Poetry
Comfort
by Rosalie Moffett
Look Homeward Angel Now, and Melt with Ruth
by Nick Narbutas
The Golden Calf
by Meghan Privitello
Operation Daily Bread
by Kenny Williams
Insomnia as Art
by Adam O. Davis
Schadenfreude (Memory)
by John James
Lotto
by Jeanne Marie Beaumont
Sam Says Let’s Go To The City & See Joe Strummer
by John R. Beardsley
Half from an Economist, and Half from a Novel
by Carolyn Creedon
Gatekeeper
by Richie Hofmann
after lunch, some poems
by Rodney Koeneke
[Near the end, James]
by Keith Leonard
Pornographic Appeal (Prayer) to Tezcatilpoca
by Joe Wenderoth
Satan is Real
by Joe Wenderoth
Two poems:
Low Note, and
Spring Reflection
by Craig Morgan Teicher
Against Porcelain
by Ines Pujos
Nonfiction
Attempts at Love
by John D'Agata
A Walk Into the Night
by Jennifer Sinor
Archaeology
by Will Boast
John the Baptist
by Timothy Denevi
Reviews
Joanne Dominique Dwyer,
Belle Laide
by Conor Bracken
Kyle Minor,
Praying Drunk
by Julia Brown
Rigoberto González:
Unpeopled Eden
by Katie Condon
Art
To the Lighthouse: Zineb Sedira & Ranjana Khanna in Conversation
by A. Powell, R. Khanna and Z. Sedira
Maintaining Cars, Pools, and Other Modernities: Clarissa Tossin's Brasilia
by Mariola V. Alvarez
Fruit Metaphors, Objects, and Histories: The Work of Fallen Fruit
by Legier Biederman
In this issue
Expression versus the Thing Expressed Akilah Oliver's A Toast in the House of Friends
Imagining Iran Laleh Khadivi's The Age of Orphans
Time and Distance Overcome Eula Biss's Notes from No Man's Land
Becoming Memoir Transgressive Forms in Narrative Nonfiction
Return, return, return
Sunlight is orange through blood
Heartstones
Salt, Towel, Knife
from 1977 to 2050
Mon semblable panel excerpt
That corpse you planted last year panel excerpt
Unreal City panel excerpt
I do not find the Hanged Man panel excerpt
The drowned Phoenician Sailor panel excerpt
They called me the hyacinth girl panel excerpt
Fear in a handful of dust panel excerpt
Come in under the shadow panel excerpt
What are the roots that clutch panel excerpt
Marie, Marie, hold on tight panel excerpt
Summer surprised us panel excerpt
April is the cruellest month panel excerpt
A Heap of Broken Images
For a Mere Mortal to Tell the Truth Bernardo Atxaga's The Accordionist's Son
Writer as PBS Star
Do You Think We'll Be Able to Love Again?
from Leafmold
The Stranger Manual
Neighbor 5 Miss Peach Is Real
Believer
The Sword Swallower's Wife
What We Left Behind
At the Grave of Neptune Frost
Why I Burned Down Namdaemun Gate
The True World Participates in a Cake Walk
The True World Wears a Sweater
What Can Only Be the Seventh Circle
Sweet Potato God
Rhubarb Wine
Of the Parrat and other birds that can speake
The key to the tower
Your headache
Hair
Pitbull
Sayings
Minor Epic with a Misread First Line from Yannis Ritsos
Landscape with the Scent of Scorching Cabbage
Melancholia for Dummies
Love, You Got Me Good
Stays
Portbou Walter Benjamin at the Border
Taste
Anoosh's Obituary for Himself, to His Son
If the Eye Were an Animal
Landscape in Disappearance
Apocalypse
Notes from Prehistory
Shipwreck
Craftsman
Going Under at Thirty
In the Spin III
Cordelia's Long Pause
Antietam
Solo
I'm the Only One Here
The Last Inch
Thinking about Elliott Pollard
The Wilhelm Scream
Little Pot
Wouldn't It
On Our Skin
Tangled Up in Blue
Music in the Storm
Bird in My Throat
The Man in the Moon