18.1 - Winter/Spring 2006

In this issue

• Relativity in America, 1936

• 16 (1) and 16 (2)

• 22 (1) and 22 (2)

• amid the tulip-bulbed confluence of vengeful municipalities

• Dry

• A Wife Explains Why She Likes the Country

• Flora

• Moonshine

• My Father, Setting the Line, Sunny October

• Considering Aunt Bea's White Toyota Celica

• Second Day of Autumn

• Are You Goddess Material?

• Wilderness with Glowing Aperture

• Miss Moore's Parlor Perfect to This Day

• Around the World

• Romano Bros. Reglazers

• The Love Doctor

• Father Zeus

• Trichotillomania Redux

• Forty-five This Spring

• Fire Whore

• Loft

• Drafting on Robert Hass Writing His Mother's Nipples

• To Continue, a post-script by Alison de Lima Greene

• "Inversion:" Dan Havel and Dean Ruck

• "O:" Havel, Petley, and Ruck

• O: A House Installation, an introduction by Liz Ward

• Neorealism at the Infiniplex

• excerpts from The Dabney Gallery

• Memphis

• On the Highway near Fairfield, Connecticut

• Meet Me Here

• Muses over Manholes

• Moonprint

• The Body Eternal

• Flora

• A Wife Explains Why She Likes the Country

• 16 (1) and 16 (2)

• White Room Dendrology

• Alexander Karelin Loses to Rulon Gardner (Olympic Games, 2000)

• The Suspicion

• The Pedestal

• Harem of Saint Marcia

• The First Person of the Trinity

• Nude Self-Portrait

• Plumb, Level, and Square

• The Great Poet Makes an Offering

• Notes from the Boat Docks

• Rumination

• Treatment

• Dressing the Dead

• One Sentence

• Three Hundred Fifty Ways

• The Annotated Mix-Tape, #2

• Vinaigrette

• Coastal Lexicon

• The Dirtiest Hamburger in the World