29.1 - Winter/Spring 2017

2016 Gulf Coast Prize

  • Destiny by Mike Alberti (Fiction)
  • Calisthenics by Brandon Rushton  (Poetry)
  • Witness Trees by Cassidy Norvell Thompson (Nonfiction)
 

Fiction

Poetry

  • peluche perdido / plushie lost (Disney Central Americans in Times Square) by Sheila Maldonado
  • ghosts of me by heather hughes
  • Soap by Hadara Bar-Nadav 
  • Two poems:  Family and Consumer Sciences, and Triggernometry by Cortney Lamar Charleston 
  • nigga as pronoun by Danez Smith 
  • Archival Footage of a Necessary Outburst by Anne Cecelia Holmes 
  • Two poems: Breaking Up with Pablo Neruda, and Existentialism & the Absurd by Jonathan Moody 
  • Superhero by Alessandra Lynch 
  • [This land is made of organic matters and rock] by John Plueker 
  • The Guilt Depot by Catherine Pierce 
  • Lily-White-Secretion-Maker by Chet'la Sebree 
  • The Cowherd's Son by Rajiv Mohabir 
  • Two poems: Some Great Urge, and Horses Do Pony Bends by Terese Svoboda 
  • The Voice, from The Elements by Erin Moure 
  • LOL, not LOL by Jason Bradford 
  • Trans Memoir 4-7 by Sara June Woods 
  • Two poems: Orpheus, Asymptote, and Motion, Moved by Amy Meng 
  • When I saw Ochocinco I had to think about all of the ways I had been fake by Khadijah Queen 
  • Crop Circles by Ross Wilcox 
  • Little God (Labrador) by Michael Morse 
  • Seascape with Evacuating Animals by Bethany Schultz Hurst 
  • Untitled by Ralph Angel 

Nonfiction

  • 6 Micro-memoirs by Beth Ann Fennelly 
  • Two essays: Mates, and Spoons by Kelly Sundberg 
  • Becoming Animal: A History by Alex Lemon 
  • Swimming by Geri Ulrey 
  • A National Installation of Memory by Mario Alberto Zambrano 
  • Pitol, Our Great Eccentric by Vicente Alfonso, trans. George Henson 

Interviews

  • Marina Abramovic on Thomas McEvilley: An Interview by Marina Abramovic 
  • Writing Whatever Presents Itself: a Q&A with Phillip Lopate by

Art

  • Endorsement of Alternative 2, an avant-garde museum, in Mr. Barthelme's memorandum of July 10, 1961 by Carrie Schneider and Adrienne Perry
  • Thomas McEvilley: Global Citizen by 
  • Learning from Thomas McEvilley by 

In this issue

  • An Inheritance of Violence: A Review of Ocean Vuong's Night Sky with Exit Wounds

    It's May 16, 2016, the 50th anniversary of the Chinese Cultural Revolution, and I am reading Ocean Vuong's Night Sky with Exit Wounds. In a recent NPR interview, Vuong explained that his new book is …

  • Writing Whatever Presents Itself: a Q&A with Phillip Lopate

    Author of more than a dozen books of fiction, nonfiction, and poetry, Phillip Lopate currently teaches at Columbia University, where he directs the graduate program in nonfiction. In the early …

  • Excerpts from études

    ...am I uproarious. This tiny mosquito in the morning if this tiny mosquito soars up in the morning 1 fingernail high over the breakfast-table while the rain, then this tiny mosquito disappears its …

  • Pitol, Our Great Eccentric

    Everything is in all things, I repeat as I thumb through my copy of The Art of Flight in search of the phrase. The five words enter my head like a mantra, a ritornello, a motto of ancient alchemists. …

  • Untitled

    Even in a thousand years time/ I sit for a while// in a garden/ among tall buildings// and put my mind/ beneath the sound of water...

  • Seascape with Evacuating Animals

    all of the ocean creatures/ have been ripped out/ of the pop-up book...

  • Spoons

    "Is it hard?" I asked my childhood friend. I couldn't remember his name--the name of the baby she'd lost. I hadn't been close to her for years. Her arrival at the wilderness guard station where I …

  • A National Installation of Memory

    A woman on a bicycle is wearing a red silk scarf next to a signpost where I once ate a split-open coconut smothered in lime juice. I click the arrow on my computer screen. The image shifts further …

  • Little God (Labrador)

    I will not venture out into the flats./ Not today. It's Monday. And Sunday// serves us habitual grit and contemplation...

  • Crop Circles

    I wanted the Crop Circles to be a hoax,/ but they were way too incredibly detailed./ For example, one Crop Circle/ depicted the Sistine Chapel...

  • The Circle Line

    Cheese melts in London like nowhere else. Old mixes with new like nowhere else. The city is blessed. But a girl can sob her heart out in London's streets and no one will stop, no one will raise an …

  • When I saw Ochocinco I had to think about all of the ways I had been fake

    or lied about my feelings or calculated a response & why I mean why risk dismissal of a real self when you can create a façade one easily taken down & reconstructed why let people into your real …

  • Motion, Moved

    I fold into the cold croissant of bed./ When he leaves I flutter open like a valve./ His wardrobe, my hangers, our chest/ of drawers. Possession tossed like a rule...

  • Orpheus, Asymptote

    I've tasted bones from the butcher's house/ and once a sun-bleached fragment of skull./ The longer I live the closer I get...

  • Trans Memoir 4-7

    Sea-Witch held me after my formation. I cried in her arms & in her hair & went into her body through the entrance to her body, which is the ear. When I got there I met others for whom she had done …

  • How Birds Die

    A bird flew into the window. To me its wingspan seemed enormous. I ran out into the garden and on the path lay a large woodpecker. His beak was half open. The woodpecker was having trouble breathing. …

  • LOL, not LOL

    today the sidewalk is decorated/ with seeds, leaf fragments/ and fushia starfish...

  • The Voice, from The Elements

    Sometimes it is hard to tell the difference between one's voice/ and one's voice// Out in the field are street, children are still learning/ from parents...

  • Swimming

    The young waiter at the back bar was happy that we had joined him and asked us what we wanted to drink. I asked if he had any tequila. Of course he did. It was a flamenco bar and a little balding man …

  • Marina Abramovic on Thomas McEvilley: An Interview

    Marina Abramovi?: Before I met Tom I was reading his articles in Artforum, about Joseph Beuys and Yves Klein. His article on Yves Klein was one of the best articles I ever read. It was just mind …

  • Learning from Thomas McEvilley

    Honoring the pedagogic legacy of Thomas McEvilley is a daunting task. It is made a little easier by knowing that I am not alone in the attempt: as times goes on, the impact of his scholarship has …

  • Thomas McEvilley: Global Citizen

    I never met Tom McEvilley face to face. Our personal acquaintance consisted of a few telephone conversations in the late 1980s or early 1990s. Somehow he learned that I had spent some time in India …

  • Endorsement of Alternative 2, an avant-garde museum, in Mr. Barthelme's memorandum of July 10, 1961

    Not long before Donald Barthelme moved to New York and became known as one of the most exciting, innovative, and important writers of his time, he lived in his hometown of Houston and served as the …

  • Horses Do Pony Bends

    You fold your hands in an x/ to signal the gate's electronics.// Get the alcohol...

  • Some Great Urge

    Love drags a wheel-less suitcase/ tagged Risk, some town on a lake/ in former Yugoslavia. Miami rolls,// you say with a smile, but he takes/ that as advice...

  • Godsend

    On top of the water, the sky rippled thinly. Lake Macatawa was clear and cold that fall. My paddle cut through the surface, carving circles that spread outward, overlapping as they went. Eddies …

  • The Cowherd's Son

    O Krishna, O flautist/ what thrill to wind another man's flute!/ To have fingers guide the air...

  • Lily-White-Secretion-Maker

    Some say the jaw is the strongest muscle--/ Book of World Records, Library of Congress--/ but my TMJ begs to differ...

  • The Guilt Depot

    The filing cabinets are clearly labeled:/ Wrecked Vacations, Sex Lies, Domestic Road Kill...

  • Asylum

    He leaves a note for her on the kitchen table. She's just spent the week in San Francisco with her mother, and the moment she walks in with her luggage, sweating, she sees the note pinned down by her …

  • [This land is made of organic matters and rock]

    The land is made of organic matters and rock and we are launching drills and bits deep into the wellbores. The flowback is rich with sediments, chemicals/ burn the land...

  • Superhero

    I was a superhero | I blew into the brittle/ quills of porcupines | and the sky listened...

  • Good Boy

    My father beat me with a lot of different things, but the thing I remember best was the hairdryer. My father loved that hair dryer. He used it every day. He had beautiful, flowing hair, much longer …

  • Becoming Animal: A History

    Of the parts of animals some are simple: to whit I am sun damaged skin rotting on deepening layers of flesh and ligaments, organs and bones...

  • Existentialism & the Absurd

    I can't tell you what any of my teachers taught/ me yesterday, but I remember last month's knife fight...

  • Breaking Up with Pablo Neruda

    I'm tired of answering the phone/ at night only to have the wind/ hang up...

  • Archival Footage of a Necessary Outburst

    It's hard to know what lives/ in my hands when I'm not paying/ attention to who I claim to be...

  • Sadiki

    Margaret and Kennar kicked back a lot with the other thirteen couples after their day's work was done: his, out on the massive Ghawar oil field; hers, folding laundry and wringing diapers and …

  • nigga as pronoun

    nigga, tonight i'm bout to be too much// in this context the room is the nigga/ or maybe your reflection/ or the wood skinned sprites juking around your ankles/ & on top of shea butter/ or the whole …

  • 2016 Gulf Coast Prize Winner in Fiction: Destiny

    Begin at end, at the beginning of a real winter, in the barn, up in the hayloft, alone. In Woods, Kansas, standing in the hayloft door, looking out across the bare December fields. Wrapped in a …

  • Af*ri*can-A*mer*i*can*ize

    To enchant by turning my meneo into a bump & grind/ against a hard bass-driven synth rhythm/ No longer a hand-hit on ton-tones,/ congas, and bongos...

  • Shimmer Here Shimmer

    Remember the feel of the latch:/ a group of organic habits, such/ simple structures...

  • The Dammest Thing

    and even though this school's falling apart, is secretly rotting from the inside out, K'll still find the time to set aside his mop and bucket and tell anyone about the ghost, the ghost, little white …

  • Family and Consumer Sciences

    Stumbling through the kitchen, tired and headed for/ the staircase, her hair || is slightly out of character...

  • Triggernometry

    For/ you, the/ first triangle:/ Father and Son and/ Holy Ghost, and you hear/ from everybody Southern fried in/ your life the devil be a master mimic--

  • Love Poem: Chimera

    I thought myself lion and serpent. Thought/ myself body enough for two, for we./ Found comfort in never being lonely...

  • Using Black to Paint Light: Walking Through a Matisse Exhibit, Thinking about the Arctic and Matthew Henson

    I keep referring to the cold, as if that were the point.// Fact. Not point. // Forty-below was a good day...

  • A Visit to Rosson Crowe

    When I met Rosson Crow at her Beachwood Canyon studio, the sheer vibrancy of her canvases--which look like film sets recently flattened by a steam roller, with beer cans and flowers, curtains and …

  • Suzanne McClelland's Fugitives

    Kurt Schwitters once wrote, in his self-published periodical Merz (ca. 1920), "I pasted words and sentences together in poems in such a way that their rhythmic composition created a kind of drawing. …

  • Ode on Words for Water

    I'm sitting next to a doctor at a dinner party/ at Daphne's apartment in Athens,/ and I bring up one of my favorite topics,/ which is words that cannot be translated...

  • Soap

    Always a threat/ of cleanliness// and its failure to purify...

  • The Dormitory

    There's however it is you call,/ & there's whatever it is/ you're calling to...

  • Mates

    One of the swans was murdered; he was stabbed in the night. Swans mate for life, so his mate grieved. She lay on the steps of the boardwalk that traced the pond, head bowed into her legs. Tourists …

  • Tropico en Manhattan (1951) | Manhattan Tropics (1951)

    GUILLERMO COTTO-THORNER was born in Puerto Rico in 1916 and migrated to New York City in 1938. In addition to publishing two novels, Manhattan Tropics (1951) and Gambeta (1971), Cotto-Thorner was a …

  • ghosts of me

    the ghosts of me sell bodies/ on the stairs || on the lake || in the snow/ lined up there || sidewalk-sale/ near-identical/ spectacle...

  • peluche perdido / plushie lost (Disney Central Americans in Times Square)

    there's an Elmo on the beast/ fuzzy red blurry/ atop the train/ traversing middle earth...

  • 6 Micro-memoirs

    When I was a girl with a book in my hand I could go to a place so deep no one could follow. No one cared to, except my mother, an affectionate woman who smarted at her lack of companionship. She must …

  • Every Bride Deserves a New Dress

    The first time Juan Ruiz proposed to me, I was eleven years old, skinny and flat chested. I was half asleep, my frizzy hair had burst out from the rubber-band holding it together and my dress was on …

  • 2016 Gulf Coast Prize Winner in Poetry: Calisthenics

    All things are an effort to prolong the inevitable./ For example, my deep concern when the kids call/ top bunk it means they've acquired innuendo./ They'll get there, if they haven't already...

  • 2016 Gulf Coast Prize Winner in Nonfiction: Witness Trees

    In Storm Lake, Iowa, a public park is home to the Living Heritage Tree Museum--an assemblage of historic trees. Not the trees who themselves witnessed history, but their descendants--grown from …

  • Editor's Note

    Our thirtieth anniversary issue is full of poetry and prose that connects to and interrogates the past. National Book Award winner Robin Coste Lewis speaks through time to the first African-American …