Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Rudyard's Pub in the Montrose neighborhood of Houston, as well as with its annual Spring Issue Release Party. Gulf Coast's Indie Book Fair, held in collaboration with MenilFest, attracts more than 75 local and national exhibitors and over 2,500 visitors each April. These three events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the ArtsInprint, Inc.Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.

The Gulf Coast Executive Board

President
Misty Matin

Vice President
Katharine Barthelme

Secretary
Alison de Lima Greene

Treasurer 
Melissa McDonnell Lujan

 

 

Members
Andrew Campbell, Mary S. Dawson, Amber Dermont,
Samantha Edussuryia, Gwendolyn Goffe, Lynn Goode, 
John Guess, Manuel Gutiérrez, Carolyn Roch Henneman,
Janet Hobby, Page Kemper,
Victoria Ludwin, Evelyn Nolen, 
Judy Nyquist, Adrienne Perry,
José Ramón Ruisánchez Serra, 
Hinda Simon, 
Cynthia Toles, Mark Wawro   

 

Advisory Council
Kathleen Cambor, 
Bettie Carrell, Dean Daderko,
Ryan N. Dennis, Mark Doty, Amy Hertz,
Cecily Horton,Terrell James, Karl Killian,
Kristin Kiser, Rex Koontz,
 Rich Levy,
Victoria Lightman, Betty Moody, Kevin Prufer,
Benjamin Rybeck, Roberto Tejada,
Rebecca Wadlinger,
Michelle White, Sasha West, 
Adam Zagajewski