Karaoke: Encore


After The Reading, A Man Asks If I Hate My Father

Janiru Liyanage

nother time, a couple pressed me to / forgive my family, they said all the best art draws from love, not anger / but I barely heard them over the Frank Ocean song


Poetry, Fiction, & Nonfiction

Some People Think they're Owed a Bond Girl

Karyna McGlynn

to bend over whenever. This belief reaches / quietly into their bone marrow.

Entomb/In Tune: Earl Sweatshirt’s Black Lyric Mode

Joy Priest

But for me, Earl’s short poems (sometimes, I’m willing to concede, laid over monotonous beats) are speculative and visionary. They map a modern mind, short in attention, fighting to be audible above our cyber industrial reality—its alienating information storm of iPhone notifications. They take us beyond the day’s meaning-emptied habitual speech.

dionysus is the only sober person at karaoke

E.B. Schnepp

super impose me neon, berry-tinged / fingertips left smudges across everything I touched.

Let’s Play College

Karyna McGlynn & Fez Avery

Alright fine: let’s play Chubby Bunny / naked in the sprinklers, I said.

RUNNING UP THAT HILL (A DEAL WITH GOD)

After Kate Bush
Monica Rico

It claws / it doesn’t begin with an itch / a single hurt / a pointed branch

When Beyonce Hits, And Sunset is Pink And Baby So Baby Blue

Cassandra Whitaker

What’s beyond the two lights at the edge / of the bay bridge tunnel blinking / out of turn, one a bit more butch / than the other

Well, It’s Not Like It Used to Be

Patrick Duane

I was born March 24th, the same day as Harry Houdini, so my family used to take annual trips to the Harry Houdini Museum in Scranton, Pennsylvania.

Last Christmas

Colin Ainsworth

The last time I was here I was really in here. I have been here. I know that I have been here. These people are in my home and they are watching my TV.

My Massage Therapist Asks if the Pressure’s Too Much

Abbie Kiefer

Let me tell you, Lil—I’m here to be borne down on.

After The Reading, A Man Asks If I Hate My Father

Janiru Liyanage

nother time, a couple pressed me to / forgive my family, they said all the best art draws from love, not anger / but I barely heard them over the Frank Ocean song

The Moss Takes Us to an 80s Sex Shop

Karyna McGlynn & Fez Avery

But we arrive to find it’s been co-opted by a cocktail bar. / The Moss wants to bounce but we’re already here.

Here, a Brindis for All Who Weep Alone

Rocio Anica

I raced past the kennels each time. So many noses pressed against the chain link. Others cast their pink, brown, black noses downward, their beautiful tails curling inward or twitching a sad little wag as they turned away.

Ghosts of Scene Sites Past

Seán Carlson

On an external hard drive stored in a closet somewhere at home, I have a photo from the first concert I set up, a moment captured on a roll of film and later scanned and sent via email.


From the Archives

The Traveling Coconut

Tashima Thomas

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

Astros Sign Osuna Despite Local Outrage

Iliana Rocha

It means to want so badly. / How close win is to want is the distance / between his fast ball & her face.

Time Oddity: A Retrospective Review of Zeroes Were Hollow by David Larsen, Kenning Editions, December 2022

Jared Joseph

The 1967 song written by the enigmatic David Bowie famously dramatizes a call and response between Ground Control and Major Tom, except that we don’t know whether the call goes through, and we don’t know whether the response is actually a response.

Low-End Theory

Kendra DeColo

Love, I’m a musky vermouth, palm of discount / stars, instruction manual for low-end vibrators / which is to say, my frequencies have slowed / down to the flutter of a junebug’s libido