Shake the rattles of our jazz. / There’s lies in the kitchen too, and they / are how bright. // Twittering, we run run each other, / try on expensive cabinets and hats. // Rough light is in this time. / Withered is the trencher, / so we make a place for mothers / in the house. Twinkle at the time / a clock strikes, a certain time of day, // and I see the chime of the bells, / listen to their whiteblue sound.
At the time of my commission, I did not know all the things this man would do, which means I did not know federal troops would be ordered into the cities, that water cannons would be fired, that there would be dogs, horses, rubber bullets, tear gas, that all of this that had for decades been taking place against civilians abroad would now take place, here, against civilians at home
But for me, Earl’s short poems (sometimes, I’m willing to concede, laid over monotonous beats) are speculative and visionary. They map a modern mind, short in attention, fighting to be audible above our cyber industrial reality—its alienating information storm of iPhone notifications. They take us beyond the day’s meaning-emptied habitual speech.