We talked about light and dark, how to render it in paintings and drawings, and how it connects to spirit. We talked about Emerson and Thoreau. They connected their faiths to mine, to the pantheism I developed out there in the woods, and to art as faith. As I worked with artists in prison over the next couple of decades, I continued to see this transcendental connection to light and dark through their eyes.
The books feel farther apart on my nightstand; the tub has shouldered open, wide enough now for two; space seems to have grown between the sugar and creamer on the breakfast table, and despite the silent chess game Renée and I play with them as she reads the paper and drinks cup after cup of coffee—the cream now advancing, now slinking back in retreat—I somehow can’t bring them together.
Dragonflies are like Waze. They predict. They don’t chase after mosquitoes, they intercept them, which means they have to calculate the mosquito’s distance, speed, and trajectory. Dragonflies perform these calculations in milliseconds, far faster than Waze, which always takes agonizing seconds to load as it computes the route, average speed of drivers, and quagmires that might await.