Gulf Coast Online Exclusives


2 Poems

Paúl Puma, transl. by Jonathan Simkins

You return, at last. / At the edge no longer./ At the margin’s curve no longer. / Circular no longer. / In the embers of unfading foam. / The sputum of inscrutable lava.


Poetry, Fiction, & Nonfiction   

Aquamarine

Valerie Duff

Through persimmon curtains, she slept away her infancy. / Waves specked the day-bed where she dreamt / her mother’s best…

Expats

Chris Murphy

Tahlequah, OK, has one Wal-Mart, one good regional supermarket, many of the major fast food chains, two operational video stores, and 16,000 residents.…

Vulgar Remedies: Transgression and Transformation

Anna Journey

Second books can be as different from their predecessors as Plath’s fiery originality of Ariel is distinct from the coolly conventional poise of The Colossus...

No Separate Thing Called Nature: An Interview with Richard Powers

Charlotte Wyatt

The Pulitzer Prize-winning author talks to Gulf Coast about trees, the transformative power of storytelling, and how writers might respond—and stay responsive to—the unique demands of this moment in both human- and tree-time.

From the Archives

infinite wop (for Biz Markie’s “Alone Again” and Jodie Foster in Contact)

Sheila Maldonado

I am OK to go / into another / dimension / a vision of / vast idiocy / and solitude / release it / through my / otherly abled limbs

Playing Kong

Kerry Neville

You know where this is going: Danny lives across the street, house number 32-25 to my 32-26, and he is eight years to my seven;

Sura: Providence, Rhode Island

Micaela Cameron

The only Korean word I know is oma,/meaning mother. I sit across from her in the low light of the Korean restaurant/downtown. We hold rice paper menus/up to the candle's glow...

excerpts from Babeltrack (notes on a lengevitch)

Uljana Wolf, translated by Sophie Seita

  In fact, wir sein ready,Was das anconzernt.—Kurt M. Stein, Die Schönste Lengevitch, 1925 being on an island, having a child, writing, and having a…

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…